Lloyd Cole will release his new album ‘Standards’ on 24th June ’13 on Tapete Records.
Lloyd Cole
Recorded in late 2012 to early 2013 in Los Angeles, New York and at his home in Easthampton, Massachusetts, ‘Standards’ is produced by Lloyd and mixed by maverick German producer Olaf Opal. All songs are by Lloyd Cole apart from ‘California Earthquake’, which was written by American folk artist John Hartford.
The full tracklisting is :
California Earthquake
Women’s Studies
Period Piece
Myrtle and Rose
No Truck
Blue Like Mars
Opposites Day
Silver Lake
It’s Late
Kids Today
Diminished Ex
Inspired in part by the vitality he found in septuagenarian Dylan’s acclaimed 2012 album ‘Tempest’ – says Cole, 52: ‘I took it as a kick up the backside.’ ‘ ‘Standards’ is a gloriously electric rock’n’roll record and arguably the best thing he has made since his groundbreaking debut with the Commotions, 1984’s ‘Rattlesnakes’.
The band Lloyd assembled for ‘Standards’ comprises Fred Maher (Material, Scritti Politti, Lou Reed) on drums and Matthew Sweet on bass reforming the rhythm section from Lloyd’s debut solo album 1990’s ‘Lloyd Cole’ and its follow up ’91’s ‘Don’t Get Weird On Me Babe’.
With Joan (As Police Woman) Wasser on piano/backing vocals, and Lloyd not only singing but playing synths amidst some of the crispest, stormiest, most stinging electric guitar, it’s a tight ship with a tight sound which tautens and relaxes according to the temper of the song. Augmenting the basic band are Mark Schwaber, Matt Cullen and Lloyd’s son Will on guitars, Commotions keyboardist Blair Cowan, percussionist Michael Wyzik and backing vocalist and Negative Dave Derby.
Says Lloyd: ‘I wanted to make an album with a small fixed palette of sounds, like a Van Gogh, like ‘Highway 61′. The format is supposedly dead, but I still want to make albums. Not bunches of songs – albums. For the last 10 years I’ve been primarily an acoustic musician but this is an album for electric guitars, electric bass and loud drums, with piano and a synthesizer for measure. Not quite monochrome, then, but not ever-changing either: it has a sound.’
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