Bob Marley has been named the most frequently referenced historical figure in song lyrics, according to a new study examining how musicians draw inspiration from history. The reggae icon sits comfortably at number one with 927 separate lyric mentions, placing him well ahead of philosophers, criminals, political leaders and fellow musicians whose names have also been woven into popular music over decades.
The research was conducted by history driven metal band Sabaton while preparing material for their next album. As part of their creative process, the band set out to understand which historical figures have influenced songwriters the most, not through textbooks or documentaries, but through lyrical references embedded in songs across genres and generations.
Using the AZLyrics database, the study tracked how often the full names of historical figures appeared in unique songs. The results paint a broad picture of how music reflects cultural memory, spanning creatives who shaped popular culture, infamous figures whose stories became legend, and thinkers whose ideas continue to resonate centuries after their deaths.
Marley’s clear lead underlines his extraordinary reach beyond reggae. The Jamaican singer, songwriter and guitarist used music as a platform for messages of unity, resistance and spiritual awareness. His work helped introduce Rastafarian culture to a global audience and positioned him as a symbol of freedom and defiance. Long after his passing in 1981, Marley remains a powerful reference point for artists seeking to evoke authenticity, rebellion or social consciousness.
His name has appeared in songs across vastly different styles, including Empire State Of Mind by Jay-Z and Give It Away by Red Hot Chili Peppers. That cross genre presence highlights how Marley’s influence extends far beyond his own catalogue, becoming part of the shared language of modern songwriting.
Second on the list is ancient Greek philosopher Plato, whose name appears in 737 songs. Despite living more than two millennia ago, Plato’s ideas around ethics, politics and knowledge continue to shape Western thought, and clearly continue to resonate with songwriters. His lyrical appearances suggest that musicians frequently turn to philosophy when exploring deeper questions about society and human behaviour. Plato is referenced in songs such as I Forgot That Love Existed by Van Morrison and The Magnificent Seven by The Clash.
In third place are Bonnie and Clyde, the infamous American outlaws whose criminal exploits during the Great Depression ended in a violent ambush. Their story of romance, rebellion and inevitable downfall has become deeply embedded in popular mythology. With 712 lyric mentions, the duo has been referenced in songs including Getaway Car by Taylor Swift and If You Have To Ask by Red Hot Chili Peppers.
A more contemporary figure appears in fourth place, with Donald Trump recording 656 lyric mentions. The current United States president has been a polarising presence in global culture and politics, and his frequent appearance in lyrics reflects his dominance of public discourse over the past decade. Artists have used his name as shorthand for wealth, ambition and controversy, with references appearing in songs such as Lights by Frank Ocean and Donald Trump by Mac Miller.
Rounding out the top five is notorious American gangster Al Capone. A towering figure of the Prohibition era, Capone has become synonymous with organised crime mythology. His name appears in 550 songs, including Stone Cold Crazy by Queen, Superstar by Madonna and Al Capone by Michael Jackson.
The full Top 10 list reveals a strong leaning toward cultural figures rather than traditional political leaders, reinforcing the idea that music gravitates toward personalities associated with rebellion, creativity and myth.
The Top 10 Most Sung About Historical Figures
1. Bob Marley, 927 lyric mentions, example song Give It Away by Red Hot Chili Peppers
Lyrics:
Bob Marley, poet and a prophet
Bob Marley taught me how to off it
Bob Marley walkin’ like he talk it
Goodness me, can’t you see I’m gonna cough it?







