In this Noise11 interview, Paul Cashmere speaks with 1927 frontman Eric Weideman about nearly four decades of Australian music history – from chart-topping success in the late 1980s through to the band’s modern revival and ongoing touring life.
Eric Weideman reflects on the band’s breakthrough moment following his iconic 1986 Hey Hey It’s Saturday appearance, which led to producer Gary Frost discovering him and launching 1927’s career. The band’s debut album became a multi-platinum success, delivering four consecutive Top 20 singles and turning the young Melbourne musician into an overnight star.
The conversation explores the creative process behind newer releases including the Paper Airplane EP and songs from Generation I, as well as the challenges of releasing music in a dramatically changed industry landscape. Weideman discusses self-doubt, evolving as a songwriter, and why authenticity matters more than chasing trends.
He also opens up about the pressures of early fame, surreal ARIA Awards experiences alongside INXS, and how the rise of grunge in the early ’90s coincided with internal industry struggles that nearly caused him to walk away from music entirely.
Since reforming 1927 in 2009, Weideman says performing has become more rewarding than ever, with audiences now spanning generations – original fans returning with their children and discovering the music together.
The interview also previews upcoming Wanstock shows featuring Dragon and Bachelor Girl, highlighting the enduring camaraderie within Australian music.
From platinum success to personal reinvention, Eric Weideman shares a candid and thoughtful look at longevity, creativity and why the music itself still comes first.
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