British acoustic pop songwriter Ben Howard reveals how he celebrated his gold record, marvels at the obsession with his ‘Call Me Maybe’ cover, and more.
A little bit blues, a little bit country, a little bit rock ‘n’ roll. Whatever you want to call it, Cash Savage and the Last Drinks have gone from good to great, as anyone who has seen them recently will testify.
Melbourne’s Pony Face combine the brilliant songwriting aesthetics of Bruce Springsteen, the soundscape of Pink Floyd and the noisy analogue synths of Rick Wakeman Suicide.
