Ellen Drops Queens of The Stone Age Because Josh Homme Is A Dickhead

Ed Kuepper, twice inducted into the ARIA Hall of Fame as a founding member of both The Saints and Laughing Clowns, will finally bring his acclaimed collaboration with Dirty Three drummer Jim White to the United States for the first time this November. The pair will perform in Los Angeles on November 4 and New York on November 17, with support from none other than Mick Harvey of The Birthday Party and The Bad Seeds.

Skunkhour will mark three decades since the release of one of Australia’s most enduring funk-rock singles with the Up To Our Necks In It national tour this October and November. The tour celebrates the 1995 breakthrough hit Up To Our Necks In It, a track that helped Skunkhour break from the Sydney underground into national recognition.

Australian and New Zealand punk fans are in for a treat: California punk stalwarts Lagwagon will return early next year for a marquee tour marking the 30th anniversary of their seminal 1995 album, HOSS. The band will perform the album in full—track-by-track—alongside fan favourites, reviving the raw energy and emotion that defined the ‘90s punk explosion.

Staffan Öfwerman, best remembered as the energetic keyboardist, percussionist, and backing vocalist for Roxette during their world-conquering years, will release his long-awaited debut solo album Lost and Found (restored, remixed, reborn) on September 5, 2025 through ManoverMusic.

After more than a decade of sold-out seasons in London, Baz Luhrmann’s Romeo + Juliet is about to receive its first Australian staging in a bold, live-orchestrated performance at Melbourne’s Astor Theatre from September 23 to 28.

Four-time Grammy winner Keith Urban and the Tamworth Country Music Festival have unveiled the “Keith Urban Rising Star Scholarship,” an initiative primed to propel Australia’s next crop of country artists into the Nashville spotlight. The scholarship promises a career-changing journey, live performances, songwriting, industry meetings, and even two days recording at Urban’s own Nashville studio, The Sound (formerly the iconic Tracking Room).

When Oasis decamped to a remote recording studio on the Cornish coast in 1994, the Gallagher brothers and their bandmates could scarcely have imagined that the house in which they cut their teeth would one day go on the market as a rock ’n’ roll landmark. Yet three decades later, the property known as Sawmills Studio in Golant, Cornwall, the house where Oasis recorded their game-changing debut Definitely Maybe, is being offered for sale at $2.64 million (£1.95 million).