Plan B And Blur Kick Off This Week’s New Releases

Debbie Harry released her second solo studio album, Rockbird, in November 1986, four years after Blondie's split and following an extended period spent caring for partner and Blondie guitarist Chris Stein during his serious illness.

Blondie will release High Noon, their twelfth studio album and first collection of original material since 2017's Pollinator, on February 26, 2027 through BMG. The 13-track record features contributions from Johnny Marr, Glen Matlock, Zach Condon and members of Lucius, and stands as the final studio work completed with late drummer Clem Burke.

An independent Melbourne music company is pairing collector vinyl with concert admission for its upcoming Blondie celebration, adopting a ticketing model more commonly seen with major touring artists.

Echo & The Bunnymen have confirmed the release of their first album of new material in more than a decade. *Apples For Isaac* will be released on 18 September, with the first single, *Brussels Is Haunted*, introducing the Liverpool band's latest collection and marking the return of Ian McCulloch and Will Sergeant to the studio for their first new songs since 2014.

Forty years after its release, Eurythmics' fifth album Revenge remains one of the duo's defining records, delivering global hits including 'Missionary Man', 'Thorn In My Side', 'When Tomorrow Comes' and 'The Miracle Of Love'.

Television bassist Fred Smith, a foundational figure of the New York punk and art rock movement, has died at the age of 77, leaving behind a body of work that helped define one of the most influential bands to emerge from CBGB in the 1970s.

Blondie will mark the 26th anniversary of their 1999 comeback album No Exit with a newly remastered and expanded edition, out 31 October on digital, CD and vinyl formats for the first time. The release includes the previously unheard No Exit (Urban Version Main Mix), a striking blend of gothic hip hop, punk, and orchestral energy that reunites Debbie Harry with the late Coolio in a fierce lyrical exchange recalling the band's trailblazing 1981 hit Rapture.