Veruca Salt and The Lemonheads Join The Living End For A Day On The Green

Released on August 26, 1985, The Head on the Door marked a pivotal moment in The Cure's evolution. Celebrating its 40th anniversary this year, the album stands as a testament to the band's ability to blend post-punk sensibilities with accessible pop melodies, propelling them into the mainstream while retaining their distinctive edge.

TX2 is set to unleashed his latest single Feed, a collaboration with the equally enigmatic DeathbyRomy.

Manchester’s unsung pulse, drummer Mike Joyce, finally steps out from behind The Smiths’ jangly guitar riffs with his much-anticipated memoir, The Drums, due for release in November 2025.

Nick Cave & The Bad Seeds will return home to Australia in January 2026 with the official announcement today of their Wild God Australian and Aotearoa New Zealand tour. The run of shows will be the band’s first in the region since 2022 and will bring their acclaimed Wild God album to life for local audiences.

In 1975, Patti Smith entered Jimi Hendrix’s Electric Lady Studios in New York City with a vision: to fuse the jagged energy of punk with the fluid imagery of poetry. That vision became Horses, one of the most groundbreaking debut albums in rock history. Now, half a century later, Sony has announced the 50th Anniversary Expanded Edition of Horses, a release that both celebrates the legacy of the record and offers fans newly unearthed material from Smith’s early years.

Nick Cave has let slip what Aussie fans have been hoping to hear for months: Nick Cave and the Bad Seeds will return to Australia in January 2026 for the Wild God tour. In a recent post on his Red Hand Files website, Cave revealed the news with typical candour, writing:

In 1995, Ugly Kid Joe released Menace To Sobriety, their second full-length album. A heavier, darker, and more muscular outing than their blockbuster debut America’s Least Wanted, Menace was hailed by Kerrang! as “the album of the year.” Yet, in the United States, the record received little to no label support, leaving frontman Whitfield Crane to famously declare that their label was quietly backing away.