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Released on August 26, 1985, The Head on the Door marked a pivotal moment in The Cure's evolution. Celebrating its 40th anniversary this year, the album stands as a testament to the band's ability to blend post-punk sensibilities with accessible pop melodies, propelling them into the mainstream while retaining their distinctive edge.

English pop-rock survivors The Korgis are back in 2025 with a brand-new collaborative album, teaming up with Australian singer, songwriter and guitarist Joe Matera. The project, titled Coffee In New York, will be released on October 24, 2025, via Renaissance Records in the USA on both vinyl and CD.

Bon Jovi will return this October with a brand-new collaboration record, Forever (Legendary Edition), set for release on October 24, 2025. The 14-track album finds Jon Bon Jovi and the band reimagining the spirit of their 2024 record Forever with the help of an all-star guest list. The project arrives after Jon Bon Jovi’s vocal cord surgery, a setback that forced him to step away from touring while still creatively hungry to share music.

Slayer will return to the stage this September for a rare headline show on the U.S. east coast, confirming a massive one-night-only concert at Hersheypark Stadium, Pennsylvania, on September 20, 2025.

Manchester’s unsung pulse, drummer Mike Joyce, finally steps out from behind The Smiths’ jangly guitar riffs with his much-anticipated memoir, The Drums, due for release in November 2025.

UB40 featuring Ali Campbell have added a Perth date to their Big Love World Tour after strong demand across Australia, bringing one of reggae’s most distinctive voices back to the West Coast. The show will take place at Kings Park & Botanic Garden on Sunday, 18 January 2026.

Nick Cave & The Bad Seeds will return home to Australia in January 2026 with the official announcement today of their Wild God Australian and Aotearoa New Zealand tour. The run of shows will be the band’s first in the region since 2022 and will bring their acclaimed Wild God album to life for local audiences.