Jake Kiszka

Murray & The Movers return with ‘Dirty Laundry', a slow-burning blues-rock statement that leans into mood, restraint and cinematic tension, showcasing Lizzie Mack and Murray Cook in a stripped-back, atmospheric new direction.

The Black Keys return with ‘Peaches!', a covers-driven fourteenth album, alongside a new visual for ‘She Does It Right' that reconnects the band with their earliest influences

Everlast returns with Embers To Ashes, the GRAMMY-winning rapper and songwriter unveiling his first album in eight years, led by new single My Hollywood.

There’s nothing like an Easter long weekend to bring out seasoned music fans, and on this mild autumn Good Friday eve, the punters were out in droves at the Forum.

The Gregg Allman Band returns with Great As Ever Live In Philadelphia '86, capturing Gregg Allman at a pivotal moment in his solo resurgence and reaffirming his enduring power as a live performer

Dirty Work, released by The Rolling Stones on 24 March 1986, remains one of the most intriguing entries in the band's storied catalogue, a record that captures a group at a crossroads, both creatively and personally. Forty years on, fans continue to debate its place among the Stones' best albums, balancing commercial success against the turbulence behind the scenes.

Australian guitar prodigy Taj Farrant is scrambling to reshape his Australian visit after the collapse of Byron Bay Bluesfest, while continuing to fund a demanding global touring schedule as an independent artist.