Harper Simon

Elvis Costello's 1986 reunion with The Attractions produced one of the most uncompromising records of his career, a tense, stripped-back album whose reputation has grown substantially in the four decades since its release.

The release offers an unprecedented look at the period between 1976 and 1978 when Costello transitioned from a data entry clerk writing songs on the side into a defining figure of the new wave movement. By unpacking master reels, bedroom cassette recordings, and early studio sessions, the box set documents the meticulous construction of an album that fundamentally reshaped modern rock songwriting.

Elvis Costello's obscure 1970s demo "Jump Up" was never a hit, never a single and rarely played live, yet it became one of the most discussed songs of the final episode of Stephen Colbert's Late Show. The track's political satire, its unusual history and Colbert's long-standing affection for the song explain why an overlooked recording resurfaced for television's farewell moment.

Paul McCartney became the final interview guest on The Late Show With Stephen Colbert, using the programme's closing chapter to revisit The Beatles' first American visit and reflect on childhood memories that continue to shape his songwriting.

Thirty years after its release, Elvis Costello's 1996 album All This Useless Beauty is being reassessed as one of the pivotal records in his catalogue, marking the end of his long partnership with The Attractions and the close of his Warner Bros. era.

Bruce Springsteen has honoured Shane MacGowan with a newly recorded version of The Pogues' classic A Rainy Night In Soho, celebrating the songwriting legacy of the late Irish frontman.

A rare Melbourne double header sees XACTO and Everyday I Write The Hook celebrate the songwriting of XTC and Elvis Costello