Tim Freedman of The Whitlams joins Paul Cashmere for a deep-dive conversation ahead of the band’s extensive 2026 national orchestral tour. In this wide-ranging interview, Freedman reflects on the cinematic Hammer Hall shows, the return of the Charlie Trilogy, and the challenges and rewards of adapting Whitlams classics for full symphony orchestras around Australia.
Freedman reveals he is adding three newly arranged songs for the 2026 run, explaining how orchestral arrangements “trap songs in amber” and why constant evolution is essential for each new tour. He discusses the unique personalities found in each state orchestra – from the elegance of the Sydney Symphony strings to the soulful swing once heard in the West Australian brass section.
The interview revisits iconic moments in Whitlams live history, including the very first orchestral concert in 2004 when a family of ducks famously landed mid-performance. Freedman also shares memories of performing with the Queensland Symphony Orchestra during the Kevin ’07 election night – complete with a plasma TV side-stage so he could track his election bets.
The conversation travels through upcoming regional orchestral collaborations, including the Toowoomba Concert Orchestra and a new bespoke ensemble, the Sydney Filharmonic, built specifically for Newcastle.
Freedman officially confirms a Torch The Moon 25th anniversary tour for 2027 and reveals plans to cut new vinyl masters at Studio 301. Looking further ahead, he outlines his intention to write nine new country songs for the return of The Whitlams Black Stump Band.
For fans of The Whitlams, Australian music history, and orchestral-rock crossovers, this interview offers essential insight into the band’s next two years.
Get your Whitlams dates here … https://thewhitlams.com/tour/
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