Western Australia

American singer-songwriter Delaney Bailey will release her long-anticipated debut album Concave through AWAL on 21 January 2026, unveiling a deeply personal world where emotion, introspection, and cinematic soundscapes collide.

Hayley Williams has unveiled her latest single Good Ol' Days, an R&B-inflected slow-burner that gives fans one final glimpse into her solo album Ego Death At A Bachelorette Party before it arrives physically on 7 November. The track, premiered live last night in New York alongside Bleachers, marks a reflective close to one of Williams' most adventurous creative chapters yet.

Ed Kuepper, twice inducted into the ARIA Hall of Fame as a founding member of both The Saints and Laughing Clowns, will finally bring his acclaimed collaboration with Dirty Three drummer Jim White to the United States for the first time this November. The pair will perform in Los Angeles on November 4 and New York on November 17, with support from none other than Mick Harvey of The Birthday Party and The Bad Seeds.

Skunkhour will mark three decades since the release of one of Australia’s most enduring funk-rock singles with the Up To Our Necks In It national tour this October and November. The tour celebrates the 1995 breakthrough hit Up To Our Necks In It, a track that helped Skunkhour break from the Sydney underground into national recognition.

Sydney’s Electric Pandas, the cult pop-rock outfit who made their mark in the mid-80s with one album and a hit song 'Big Girls', are officially back together. Lin Buckfield has revived the Pandas for 2025 with a refreshed line-up, and they’ll share the stage with James Reyne this November.

Melbourne's own Dallas Crane are back in the studio crafting their sixth studio album. In a nod to their signature blend of swagger and grit, they have already unveiled the lead single, “Trouble Knows My Name,” offering fans a raw taste of what's to come.

Melbourne’s beloved power-emo trio Camp Cope have announced the launch of their final live performance on vinyl and digital formats – a fitting farewell to one of Australia’s most fiercely independent bands.