Shaun Ryder

Staffan Öfwerman, best remembered as the energetic keyboardist, percussionist, and backing vocalist for Roxette during their world-conquering years, will release his long-awaited debut solo album Lost and Found (restored, remixed, reborn) on September 5, 2025 through ManoverMusic.

After more than a decade of sold-out seasons in London, Baz Luhrmann’s Romeo + Juliet is about to receive its first Australian staging in a bold, live-orchestrated performance at Melbourne’s Astor Theatre from September 23 to 28.

Four-time Grammy winner Keith Urban and the Tamworth Country Music Festival have unveiled the “Keith Urban Rising Star Scholarship,” an initiative primed to propel Australia’s next crop of country artists into the Nashville spotlight. The scholarship promises a career-changing journey, live performances, songwriting, industry meetings, and even two days recording at Urban’s own Nashville studio, The Sound (formerly the iconic Tracking Room).

When Oasis decamped to a remote recording studio on the Cornish coast in 1994, the Gallagher brothers and their bandmates could scarcely have imagined that the house in which they cut their teeth would one day go on the market as a rock ’n’ roll landmark. Yet three decades later, the property known as Sawmills Studio in Golant, Cornwall, the house where Oasis recorded their game-changing debut Definitely Maybe, is being offered for sale at $2.64 million (£1.95 million).

Reg Mombassa and Peter O’Doherty have pretty much tied their Mental As Anything album output (especially counting the double album Medicated Spirits as two records).

On 2 October 2000, John Bishop stood nervously in front of a small audience at the Frog and Bucket comedy club in Manchester. By day, he worked in the pharmaceutical industry; by night, on this occasion, he took a chance that would transform his life. As he grasped the microphone for the very first time, he didn’t know it then—but the moment marked the beginning of a 25-year journey that would see him become one of the UK’s most loved comedians.

When Garbage released their self-titled debut album in August 1995, the alternative rock landscape was already shifting. Grunge was waning, Britpop was peaking in the UK, and electronic music was beginning to infiltrate rock’s DNA. Into this transitional moment stepped Garbage, a genre-blurring project that fused rock guitars, trip-hop beats, industrial noise, and pop hooks into something sleek yet menacing.