Time

Tenille Arts has entered the next phase of her career with the release of her new single Don't Ruin Flowers, delivered through a fresh global partnership between Dreamcatcher Artists and ONErpm. The track marks the first taste of her forthcoming album, scheduled for announcement in mid-2026, and signals a confident expansion of her creative world after several milestone years on the international stage.

Brisbane rock outfit Sound Affliction have unveiled their fourth single, The End, as they prepare to release their debut album Behind The Walls. The new song confronts modern pressures, and the band deliver it with blunt honesty and compositional control. The single follows Sober, Devil In Me, and Leave The Light On, each single showing a different facet of the group's sound.

Dyssidia have released Dream Persuasion, the third and final single from their upcoming album Deeper Wells Of Meaning. The track features Japanese tsugaru shamisen performer, composer and vocalist Noriko Tadano, marking the band's first collaboration and a fresh shift in their sound.

The Pogues have opened a time capsule from 1987, releasing the first ever live performance of Fairytale Of New York, captured at Glasgow Barrowland on 17 December 1987. The moment marks the first time Kirsty MacColl ever sang the now iconic duet with the band, during a show that has since become part of Pogues folklore. The newly restored recording has been revived by original producer Steve Lillywhite, who has brought fresh life to the raw desk tape while preserving the ferocity of the night.

This December, two of the most forward-thinking names in electronic music will unite for a new collaborative project. Australian producer What So Not and Dutch innovator Buunshin are set to release The Quiet That Hurts on Friday 5 December, a five-track EP that merges raw emotion with experimental sound design.

Brisbane alt-rock band Pilot Crisis have returned with their most polished and musically assured release to date, unveiling their new single No Vacancy. The track builds on the group's distinctive emo-pop foundations, blending the vocal firepower of early WAAX with the punchy, melodic guitar dynamics reminiscent of Paramore's golden era.

Laufey has returned to usher in the festive season once again, unveiling her rendition of Santa Claus Is Comin' To Town, joining her expanding tradition of modern holiday classics. The Icelandic-Chinese artist, composer, producer and Grammy-winner brings her jazz-and-classical infused warmth to the time-honoured tune, presenting another chapter of what has become an annual musical celebration.