Music News

Confidence Man have supercharged the rollout of their upcoming EP, Active Scenes Vol One, with the release of Gossip (Chris Lake Remix), a high-voltage rework by one of the most prolific figures in global dance music. Chris Lake brings a refined and explosive club energy to the single, a move that underscores the growing international reach of the Australian group. The remix arrives as a centrepiece moment for the EP campaign, a significant endorsement from a producer known for shaping modern electronic music with precision and intent.

The Temper Trap have joined forces with one of electronic music's most influential figures, Solomun, for a pulsating rework of their current single Giving Up Air, a track that has already become a key release in their long-awaited comeback. The collaboration links two artists who have shaped audiences in different worlds, with Solomun's global club presence now wrapped around the sound of one of Australia's most successful indie exports of the past two decades.

The Black Sorrows returned to Melbourne Recital Centre on 22 November 2025 with a show that honoured more than four decades of music. Close to 50 musicians have been part of the group since the early years, yet founder Joe Camilleri remains the steady force at the front. His voice still rings clear and strong, and his energy has not faded.

Cordrazine will close the book on their unique and often fragile history with the release of their final EP You See In Me on 5 December, with the band confirming that their EP launch at the Northcote Social Club on 12 December will double as their last ever performance. The decision brings an emotional end to one of Australia's most intriguing indie pop-rock stories, born in Melbourne in the mid-1990s and revived in sporadic but treasured bursts across the decades.

Service Station Chicken, the third full-length album from Dave Favours & The Roadside Ashes, arrives today and marks a significant evolution in the band's creative identity. The release reflects a group that has now settled into a mature and confident sound, shaped by years on the local circuit and a deep regard for the roots of Australian independent rock.

TISM will finally give fans another chance to secure a seat at their 2026 Sydney Opera House takeover, with both previously sold out shows now reconfigured as in the round events, allowing new tickets to be released this week. The band continue to reject all pressure to add a third date, instead shifting both concerts into a full 360 degree layout, creating additional seating around the stage and activating the choir seats behind the performance area. These positions, although behind the stage, will place fans unusually close to the action, creating a rare vantage point for what are already set to be two extraordinary nights.

Forever Ends Here have re-emerged with a renewed sense of purpose, releasing their reflective and forward-thinking EP I'm Still Trying To Find Myself. The record marks a fresh era for the Sydney and Melbourne based trio, who first captured national attention during the 2010s with their energetic pop punk sound and relentless touring schedule.